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Mariano Mores played a significant role in the resurgence of the tango in 1950s Argentina. Its fortunes were reversed in the late 1940s as the tango again became widely fashionable and a matter of national pride under the first Perón government, which in turn had a major effect on Argentinian culture overall. In Argentina, the onset in 1929 of the Great Depression, and restrictions introduced after the overthrow of the Hipólito Yrigoyen government in 1930, caused tango to decline. By 1914, more authentic tango stylings were soon developed, along with some variations like Albert Newman's "Minuet" tango. The tango was controversial because of its perceived sexual overtones and, by the end of 1913, the dance teachers who had introduced the dance to Paris were banished from the city. Instructors of the period would sometimes refer to this as a "North American tango", versus the so-called "Argentine tango". Tango music was sometimes played but at a rather fast tempo. The term was fashionable and did not indicate that tango steps would be used in the dance, although they might be. In the U.S., around 1911, the word " tango" was often applied to dances in a 2Ĥ rhythm such as the one-step. Towards the end of 1913, it hit New York City as well as Finland. Tango historian Nardo Zalko, a native of Buenos Aires who lived most of his life in Paris, investigated the mutual fertilization between the two cities in his work, Paris – Buenos Aires, Un Siècle de Tango ("A Century of Tango"). In the early years of the 20th century, dancers and orchestras from Buenos Aires travelled to Europe, and the first European tango craze took place in Paris, soon followed by London, Berlin, and other capitals. At Boedo Avenue, Cátulo Castillo, Homero Manzi and other singers and composers used to meet at the Japanese Cafe with the Boedo Group. Many neighbourhoods of Buenos Aires have their particular tango histories: for example La Boca, San Telmo and Boedo. Additionally, the combination of African, Native American and European cultural influences in tango was new and unusual to most of the Western world. This led to a phenomenon of culture shock. When the tango began to spread internationally around 1900, cultural norms were generally conservative, and so tango dancing was widely regarded as extremely sexual and inappropriate for public display. Initially, it was just one of the many dances, but it soon became popular throughout society, as theatres and street barrel organs spread it from the suburbs to the working-class slums, which were packed with hundreds of thousands of European immigrants. The words "tango" and "tambo" around the River Plate basin were initially used to refer to musical gatherings of slaves, with written records of colonial authorities attempting to ban such gatherings as early as 1789. The music derived from the fusion of various forms of music from Europe. The dance originated in lower-class districts of Buenos Aires and Montevideo. Dances from the candombe ceremonies of former African slave peoples helped shape the modern day tango. Tango is a dance that has influences from African, Native American and European culture.